A few weeks back I spent quite a long time reading about complementary color theories. Basically trying to figure out what colors are supposed to look good with other colors (almost in the context of framing) and my research almost made me think that really all colors go together. No matter what the fashion mags might tell you.
For example colors that are complementary look good together. Those are colors that are the exact opposite on color wheels. Colors that are analogous go together. Those are colors that are next to each other on the color wheel. The next theory is the triad. The triad says that colors that are evenly spaced on the color wheel go together. Then there is split-complementary. This theory says that in addition to the color that is opposite the color on the color wheel, the 2 colors adjacent to the opposite color also complement the color. I’ll just leave rectangle and square alone for now, since you are probably pretty confused by now.
In this respect, I decided to shoot for at least complementary colors when I decided to tackle Page 35 of THE PHOTO JOURNAL PROJECT. Page 34 and 35 actually. These pages are the only pictures in THE PHOTO JOURNAL that aren’t white. They are colored and the assignment is to “Take a picture that looks beautiful against this color”.
That means nothing to you without seeing the pages for yourself, so rather than coming to The Photography 139 Studio and seeing the physical THE PHOTO JOURNAL, I’ll publish a picture below:
Here is the picture that will be physically adhered in the physical THE PHOTO JOURNAL:
Page 35 – And this.
I took a few other pictures that I think work with the blue page:
I think I might be able to finish this project up by the end of July, but there are a couple of pages left that I know I’m going to have to secure a model or two to complete. I might just come hit you up on that.