Category Archives: Photoshop

Live United

I was contacted a few weeks back by Shannon about doing some photography for the United Way campaign. They had a pretty specific request that required a fair amount of Photoshop expertise.

Because I had not the time or the patience to complete the project I talked Mike Vest into doing the Photoshop part of the project while I did the photography. The two images below are the result.


Live United

Live United

Rebecca Anderson acted as the art director for this project.

Next week’s random Wednesday pictures will cover a recent trip to Kalona.

RWPE Y2 #24 – PEOPLE

The submission wire was a little more active this week for PEOPLE. Apparently I know some people that know PEOPLE besides me. Here are the submissions:


WEEK 24 - PEOPLE - MIKE VEST
Mike Vest of Waxen Media

WEEK 24 - PEOPLE - CHRISTOPHER D. BENNETT
Christopher D. Bennett

IMAGE LOST
Julie Johnson of The Joy is in the Journey

IMAGE LOST
Shannon Bardole of Little White Lye Soap

I’ve been down to the Random Generator for a new theme for this week. This is what it spit out:

SOOTHING

A look back at last year’s SOOTHING submissions:

SOOTHING – 2010

Hopefully people don’t becoming so soothed thinking on this theme that they don’t take the picture.

RWPE Y2 #22 – SHADOWS

Looks like the Random Weekly Photo Experiment has run its course as submissions are starting to become few and far between. Looks like I need to start thinking about what it is I’m going to post on Mondays next year.

Here are the submissions for SHADOWS:


WEEK 22 - SHADOWS - MIKE VEST
Mike Vest

WEEK 22 - SHADOWS - CHRISTOPHER D. BENNETT
Christopher D. Bennett

The theme for next week:

DEPTH OF FIELD

A look back at last year’s DEPTH OF FIELD submissions:

DEPTH OF FIELD – 2010

Forgot what DEPTH OF FIELD is? Here is a refresher:

Depth of field (DOF) is the portion of a scene that appears acceptably sharp in the image. Although a lens can precisely focus at only one distance, the decrease in sharpness is gradual on each side of the focused distance, so that within the DOF, the unsharpness is imperceptible under normal viewing conditions.

Depth of Field is controlled by the size of the aperture used to take a picture. The larger the aperture, the smaller the Depth of Field. The smaller the aperture, the larger the Depth of Field. If you want only one item in a picture to be in focus, then you use a large aperture. If you want almost the whole picture to be in focus, then you use a small aperture.

One thing to note about aperture sizes, the larger the number, the smaller the aperture. f/1.4 is much larger than f/32.

Perhaps you don’t know how to control the size of the aperture on your camera. You can still fake it. Almost all cameras have “Creative Control” settings. If you set your camera on “Portrait”, almost always symbolized by a sideways icon of a woman’s face, then the camera will use exposure settings with the largest aperture possible. If you set your camera to “Landscape” almost always symbolized by a mountain icon, the camera will use exposure settings with the smallest aperture possible.

DEPTH OF FIELD is usually meant to describe a picture taken with a large aperture to separate the subject of a picture from its background.

Remember: Submissions are due to bennett@photography139.com by noon on Monday.

I’d say good luck, but it would seem somewhat pointless.

Personal Photo Project of the Week #60



Think Negative

There were two points to this project. My first point was that I wanted to scan a negative. In this day and age, it is a borderline revolutionary act to use film. Unfortunately I have let too much time and space get between me and my film camera(s). This is an injustice that I hope to remedy this year.

My first point was to make sure the viewer knew that this picture was taken with film. However, initially I felt that just scanning a negative so you knew it was a negative wouldn’t be enough. This lead to my 2nd point.

I was going to hit these negatives with a hammer. This is somewhat loosely based on something I did a long time ago when I printed a picture and then crumpled it up and then rescanned the picture.

However, this photo project lead me down several different avenues and in the end hitting the negatives with a hammer didn’t really produce the result I was looking to produce.

Here are some of the other images and other avenues I ventured down.


Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

Think Negative Alternate

I did point out to everybody that I photographed that I would be hitting their picture with a hammer and not to be offended by that fact. Amazingly none of them were.

Next week I’ll return to publishing pictures from the 9 Emotions Project. Jesse and Jay are next up in the hopper.

RWPE #47 – Discover

I don’t know if it was the theme or if it was the holiday, but once again submissions were somewhat anemic. Here are the submissions for DISCOVER.


WEEK 47 - DISCOVER - CHRISTOPHER D. BENNETT
Christopher D. Bennett

IMAGE LOST
Dawn Krause

WEEK 47 - DISCOVER - MIKE VEST
Mike Vest

There are only 5 themes left before this little experiment starts over. I went down and kicked the Random Theme Generator and told it to give me a theme that would light the fires of creativity under more people. It just sat there. Then it spit out the following theme:

ACTIVE

On the surface that seems like a good solid theme that could be interpreted in a bazillion different ways. Hopefully this will get RWPE back on track.